August 17, 2010

kateoplis:

From David Benqué’s Acoustic Botany via/ BLDBLOG:
Acoustic Botany uses genetically modified plants to produce a “fantastical acoustic garden,” where sounds literally grow on trees. “Desired traits such as volume, timbre and harmony are acquired through selective breeding techniques,” Benqué explains:
 

The debate around Genetic Engineering is currently centered around vital issues such as food, healthcare and the environment. However, we have been shaping nature for thousands of years, not only to suit our needs, but our most irrational desires. Beautiful flowers, mind altering weeds and crabs shaped like human faces all thrive on these desires, giving them an evolutionary advantage. By presenting a fantastical acoustic garden, a controlled ecosystem of entertainment, I aim to explore our cultural and aesthetic relationship to nature, and to question its future in the age of Synthetic Biology.

There are thus “singing flowers,” “modified agrobacteria” that ingeniously take “sugars and nutrients from the host plant to encourage the growth of parasitic galls and fill them with gas to produce sound,” and “string-nut bugs” that have been “engineered to chew in rhythm” inside hollow gourds. 

kateoplis:

From David Benqué’s Acoustic Botany via/ BLDBLOG:

Acoustic Botany uses genetically modified plants to produce a “fantastical acoustic garden,” where sounds literally grow on trees. “Desired traits such as volume, timbre and harmony are acquired through selective breeding techniques,” Benqué explains:

The debate around Genetic Engineering is currently centered around vital issues such as food, healthcare and the environment. However, we have been shaping nature for thousands of years, not only to suit our needs, but our most irrational desires. Beautiful flowers, mind altering weeds and crabs shaped like human faces all thrive on these desires, giving them an evolutionary advantage. By presenting a fantastical acoustic garden, a controlled ecosystem of entertainment, I aim to explore our cultural and aesthetic relationship to nature, and to question its future in the age of Synthetic Biology.

There are thus “singing flowers,” “modified agrobacteria” that ingeniously take “sugars and nutrients from the host plant to encourage the growth of parasitic galls and fill them with gas to produce sound,” and “string-nut bugs” that have been “engineered to chew in rhythm” inside hollow gourds. 

Photo — 3:28pm
968779908
Reblogged from kateoplis

Century Theme by David
neo-constructivist rohdia mikasavela prismink dailymeh mjfchance uekou77 landscapearchitecture onyxearth dbreunig meetingboy existenceisfertile nantes kiyo foliate cmeinke freshphotons landscapeispersonal osakasteve jennilee ensignau visual-junkie lustik treeporn sperrault atelierpunkt 1187hunterwasser gmunk rensakun visualvalor poolssloop vsnature stopthesnow archiveofaffinities bouwkunst npr secondverse wnycradiolab babesofnpr newyorker arquitecturb noahcates tokyo-ras initialslf bashford yampo 1982 turnerhelen sandywang randosukeipu lunarius blackv lu--lu catalogliving proutymakesthings nordictation electricorchid marco yoppa outofcontextscience ikedashinji azizisbored alwaysunderconstruction atelier-e sharonleung organizedscenery magentalabs toomany cloudapproves ykmrpp dynamicdata amnhnyc anthrolology documentary catrinastewart grasscoveredroof microculture sttngfashion nickvdk 01mathery transforms madebyrobot publicradionerd yysgw openscience kagami karawheeler saintadrienne reigen kztkk l-ll-lll katherinepruitt plantsaretakingover denns blindsider erlnd fuckyeahdioramas curiousmoth spaceships turquoisebird savageriver shapesifter jivjivefive greatamericanpixel baumich immersiveengagement kneat fuckyeahcrystals ashiato holding--still microanthropomorphisms atumemono immaculatetelegraphy gopika internnet ld2423 fuckyeahghosttowns velosynth onnyc yuriyamamoto sadstartrek norasolisa romanmars thevintageweb craftsmanresearch
 
blog comments powered by Disqus